REVIEW: HEL – The Sun Facing Goddess (2019)

A book by Bryan Wilton

Hel is perhaps one of the more unfortunately maligned deities in the entirety of the Germanic pantheon. Misunderstood due to her conflation with Christian ideas of “Hell” and what the afterlife is in general, a lot of people look at her the same way we look at Satan in the Christian myths – a malevolent punisher god. Nothing in any of the many accounts of the Gods really paint this picture aside from one part of the Eddas, and this is perhaps due to Snorri Sturluson writing the Eddas from a Christian viewpoint. Ancient Germanic peoples did not see their afterlife in this manner, so attributing Christian notions to them is careless, but sadly the norm. There has been a serious lack of scholarship (that I have found at least), whether it be detailed monographs or journal articles on Hel, so when I saw this book I got pretty excited. Was this the sort of piece I was looking for? Sadly…..no it was not.

This book starts out okay, Bryan Wilton lays out his thesis for the book – Hel is misunderstood, and maligned by Christians. Sounds good; this could be interesting – right? Problem is, I had to read the first few pages a few times because the grammar was hard to understand or was organized in a weird manner. I figured I was tired and had misread some paragraphs, but sadly it wasn’t me. It was as if Mr. Wilton had composed this book using a text-to-speech program, and did minimal editing to finish it. There are some sections worse than others, and it largely does make sense, but its hard to read.

This is an example:

Not so long ago I was enjoying a profound discussion with a good friend of mine. His analogy of all roads lead to Rome really meaning that all roads lead to the door of death has stuck with me. Largely because it means we are going to need to discuss an ancient Goddess. Hel. Who, as she is described in the lore is most difficult to understand. But it is entirely in line with what a Christian would need people to think. For it was the promise of Jesus that there would be life everlasting. The first thing you need to do is to vilify death and make it a scary place.

This book is an attempt to rectify that. One based upon that conversation, an understanding of the lore and one magnificent idea which will shake the foundations of the world In those gray areas of change, those areas where we have been taught to fear the chaos held at bay by the constructs of our minds, we will find the truth.

-First page

Maybe it’s just not a writing style I like and I’m in the minority, but something seems off. For example, you have a one word sentence up there, with the rest of the sentence left as some weird fragment. (Largely because it means we are going to need to discuss an ancient Goddess. Hel. Who, as she is described in the lore is most difficult to understand.) We see Some sentences that seem out of place and a spoonful of gratuitous self-congratulatory nonsense are all in one page – This is also the Amazon blurb chosen to represent the book. I should have looked closer when I downloaded this.

My biggest issue isn’t the grammar, I’m not a giant grammar Nazi and it’s at least readable. I’ve seen far worse things on Amazon sadly. However, what we do have meanders a LOT. The entire book is basically a rambling essay that stops talking about Hel, herself, pretty early on, detours into the author’s opinion of modern politics (THE DREADED SJWs OHHHH NOOOO), swooped into a large section on why Loki is a bad guy (rambling about Lokean Heathenism as well) while supposedly talking about the death of Baldr to half-ass talk about Hel again- it’s a really garbled mess of a book considering what the topic allegedly was.

I mention the political thing because that really is a bugbear of mine – when discussing historical Germanic religion, I have come across a ton of authors that feel the need to go on lengthy asides about how much they hate liberal politics, usually bringing up “SJWs” and talking about weakening of male roles or some-such. This is always shoe-horned into a book where it has no business being present, like a translation of the Eddas, to fit their agenda. These authors will constantly mention how much they feel that left-leaning politics has poisoned Heathenry, then inject an equal amount of right-leaning politics into whatever they write. While, I’m honestly not a liberal and I find this nauseating. One of the many reasons I left Christianity was its political aspect, I don’t need that here as well.

Halloween Countdown:Goddess Hel of Norse Mythology

The only tidbit I thought was interesting was the challenging of the typical appearance of Hel that we see in most art (and the actual lore, but okay) in that she is represented with a face split in half, one side shown very beautiful and the other very grotesque, perhaps with bones protruding. Mr. Wilton proposes that her divide is actually in such a way that her entire face is beautiful so you are invited into Helheim by a fair motherly figure to comfort you. I presume her whole back is a skeleton or something? This isn’t elaborated on. While this theory is interesting, it seems to fly in the face of the actual source material completely, and is not backed up by any citations. Thus the whole thing sounds like the sort of philosophy you hear at a bar at 3 A.M. This is why the book is subtitled “The Sun Facing Goddess” and his idea is represented by the books cover. Really this is the only “challenge” to our perceptions of Hel in this entire book.

It was not until later that I realized Mr. Wilton was known to be allegedly somewhat racist, and was noteworthy in my area for being ran out of town, that it all came together. I try hard to stay away from material like this for many reasons, most notably because its almost always very poorly made, and exists solely to drive the above agenda. For me, I’m looking a historical look at a Norse Goddess not a sneaky way to malign a political ideology the author doesn’t believe in.

As a book alleging to “rectify the image of Hel for modern readers” it fails in almost every regard, this book is definitely not recommended.

To check this book out CLICK HERE If this hasn’t scared you off.

REVIEW: Valhalla Awaits #1: A Journey Through the Viking Afterlife (2020)

A Comic by Phil Buckenham, Agnese Pozza, Justin Birch

The Cover, or at least one of them

Sometimes, when scrolling through Kickstarter, I go on little shopping sprees and snag a bunch of digital comics that people are trying to get off the ground. I’m a sucker for anything pro wrestling-related, as some of you may have gathered, and anything dealing with Viking history or Norse Paganism. The good news is that those topics are very hot with pop culture right now for whatever reason, making it much easier to find content! While I’ve had this comic for a little bit, I’ve only recently got this onto my kindle, I wanted to discuss one of these such comics –Valhalla Awaits #1: A Journey Through the Viking Afterlife

Valhalla Awaits is a comic series that draws heavily from the Poetic Edda and Viking and Norse mythological themes.

The story follows characters Hildr and Erik and their journey through the Viking afterlife, where they encounter Norse gods, and legendary creatures.

From the Kickstarter Page

This is a relatively short comic that serves a solid introduction to the story, this is fine because issue two isn’t too far on the horizon. The story follows a slavegirl named Hildr who is imbued with the power of Odin in a ritual to save her village from a sacking by Erik Bloodaxe. The raiders get to the house before the ritual is completed, so she is unable to fully gain these abilities. Erik, who we find out was there to find a Valkyrie to to prophecy, takes Hildr under his wing and teaches her the ways of a warrior. She grows very strong and begins to challenge his leadership – thus resulting in both taking an early trip to the afterlife.

Interior art sans any of the dialogue, from the Kickstarter page

The art inside this book is fantastic, lines are clean and expressive and the colors are top notch. some of the art is a bit anachronistic, if you are a stickler for authenticity, taking cues from the modern “pop-culture viking” aesthetic of brown leather, furs, and tribal eye make-up. You also see things with huge “Valknut” logos and other ahistorical additions. Many arguments can be made onto whether that’s akin to Wagnerian horned helmets, but I’ll leave that up to everyone else to bicker about. I’ve had my share of hundreds of posts of people mad at Assassin’s Creed Valhalla’s art style this week to last me quite a bit. To me its fine, and it doesn’t detract from the story or art.

After the initial 32 page run there were some previews for a few other books from the same publisher. I bought this comic digitally, so I’m speaking specifically on that edition, so I’m not sure if this was in the print version. All-in-all I was very happy with my purchase, and I will definitely follow this project. Here’s hoping volume two delivers on more great action and we get to see some of the Gods show up.

Here’s additional information on Volume 2, which is supposed to ship very soon. If you know of any other great pagan comics that I should read, drop me a line! I’d love to see them.

REVIEW: The Handbook of Asatru: The Official Guide to Learning the Ancient Pagan Tradition (2017)

A book by R.C. Fordham

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Cover art for The Handbook of Asatru: The Official Guide to Learning the Ancient Pagan Tradition (2017)

I did a review sometime last year for R.C. Fordham’s book Iron Alchemy of the Gods that, while not a bad book, was an odd detour into a subculture of obsessive gym rat heathens that somehow believe that exercising will get you into Valhalla. The entire book was half a manifesto on male weakness and a criticism of what he sees as the effimization of manhood, and the latter half was a workout guide. I honestly read it out of confusion, but did come away with a few tidbits that I liked such as a before workout prayer idea.

Once I read this on Kindle Unlimited, I started getting recommendations for some of his other books including more that I assume are macho bravado such as a book on how to be a modern berserker, but then I saw this, The Handbook of Asatru: The Official Guide to Learning the Ancient Pagan Tradition, and was intrigued. What does Mr. Fordham believe the building blocks of Asatru are considering his predisposition to all things MANLY?

This book was written for those seeking answers to the Asatru tradition. It is a comprehensive guide that offers all the basics of the religion and much more. It is broken into 3 parts. Part I discusses the proper views of the Norse Religion and Cosmos. Part II details the cosmology of Asatru. It includes in detail, the descriptions of the gods and goddesses, as well as the realms of Yggdrasil. Part III then takes a look at the practices of modern Day Asatru as long as with advice on how to grow your spiritual life and connection with the gods and goddesses of our ancestors.

Amazon sales page

Surprisingly, this wasn’t the colossal trainwreck that I was both expecting and honestly hoping to see. You see folks, I’m a connoisseur of cringe, and I was eagerly chomping at the proverbial bit for some. What I did get was a competent, albeit basic overview of Asatru, and how one can start practicing it. It reminds me of all of the Wicca books geared towards teenagers I would see at the now-defunct bookstore I worked at many moons ago. While no means a classic of literature or scholarship, The Handbook of Asatru: The Official Guide to Learning the Ancient Pagan Tradition lays out a baseline set of views and practices that one could follow if they were just starting to dabble in the Northern Traditions. It isn’t bogged down with too many long Icelandic words or complex mythological descriptions, so it is a bit too basic for anyone that has actually been studying lore for a while.

Fordham does occasionally sneak a bit of his trademark philosophy in there, but its not too “in your face”, and honestly isn’t as bad as some of the stuff I’ve seen in more folkish publications.

So, can I really recommend this? Since its VERY cheap, possibly free, and isn’t a total trainwreck….sure? It depends on how well-versed in Norse Paganism you are. Its very possible you will leaf through this as if reading a Wikipedia article and gain no substance from it. If you are new to Asatru and want an idea of what certain terms mean, how to hold a Blót, how to do a prayer, and a list of Gods to pray to, this might be a good fit.

If you would like a copy of this book for Yourself, please click HERE

REVIEW: The Wife of Freyr – Chapter 1 – Yngvi-Freyr (2019)

The cover of The Wife of Freyr: Chapter 1: Yngvi-Freyr

AD 970. Gunnar Thangbrand, eager missionary of the Danish king Harald Bluetooth rages on the coasts of Norway. His goal is to convert the pagan Norwegians to Christianity, to make them faithful citizens of the Danish Empire. But the Norwegians resist bitterly and fight back the Danes. Gunnar, the only survivor of the danish mission, flees from the vengeful Norwegians to the east. To Sweden, Where the Prayers of the bloody Fertility God Yngvi-Freyr are living.

Amazon sales page

The Wife of Freyr: Chapter 1: Yngvi-Freyr (2019) Is an inexpensive historical comic you can find on Amazon that is based on an Icelandic þættir, or short story in the Sagas, called Ögmundar þáttr dytts ok Gunnars helmings which loosely translates to “Ögmundar’s death and Gunnar’s half” (or somesuch). This comic is based entirely on the second half involving the character of Gunnar Thangbrand. An English translation of this Icelandic Saga can be found here for free, if you would like to read it to compare.

In both this and the original story, Gunnar has been suspected of murder and has fled to Sweden, where pockets of paganism still persist, especially fertility cults devoted to Freyr. He has gone there to convert any Pagans he finds to the ways of Christianity for King Harald Bluetooth. Rumor has it, that the Swedes have appointed a young and beautiful woman to serve the fertility god, and Gunnar becomes “acquainted” with this young priestess. He helps her drive Freyr’s wagon with the god effigy in it which angers Freyr. Freyr attacks Gunnar and he has to make a promise to become Christian when he returns to Norway in order to fight against it. He is able to win, and decides to dress as Freyr since the battle had destroyed the wooden statue.

There is more to the story, but that is all that is covered in this chapter.

Internal page of The Wife of Freyr: Chapter 1: Yngvi-Freyr

The artwork in this book is pretty good, you can tell that the author, Volkmar Fleckenstein, is a pinup artist of some degree. I especially like the details he puts into facial expressions and emotions, seeing the various bits of character design is awesome. The comic is in a grayscale color palette, which is in no way bad, it almost gives it an old-school barbarian comic vibe ala Conan or Red Sonja. It’s done digitally, and has a bit of simplicity to the style, but the linework is crisp and dark, so it all fits together very well. The lettering is organized well, and everything is easy to read with no spelling or grammar issues that I noticed, granted I wasn’t scouring with a fine-toothed comb of nitpicking, but everything seemed above-board.

While I did enjoy this (quite a bit, actually), I felt as if the story is presented in a way that makes Gunnar Thangbrand easily one of the least likable protagonists I’ve ever read or seen. He basically runs around murdering anyone that isn’t a Christian at a breakneck pace for about half of the book. Limited to a small page count and a moral disconnect from how things were in past, one has to take a step back reading something like this because a person seen as a noble hero of the past, could easily be seen as a demonic monster by modern standards. Many of the Sagas are like this, for example it is very hard to find ANYONE in Njal’s Saga that isn’t pretty terrible by today’s modern standard.

Internal page of The Wife of Freyr: Chapter 1: Yngvi-Freyr

It would be wrong if I did not point out that this book has a bit of adult content inside. It is not, by any means, the focal point of the story, but once the Freyr fertility cult is shown you can imagine what is shown in the pages. For those wanting to see this as a pure historical item need to be careful – its not really suitable for kids.

While this can be seen, by pagans, as a story of one of the last vestiges of the old ways being trampled on by the Church, as a historical piece this is pretty cool. I really want Mr. Fleckenstein to do more of these if he ever gets the chance, as I would love to see more Saga literature getting translated and re-imagined like this.

As of this writing, Mr. Fleckenstein has posted a campaign for volume two of this story to Kickstarter as seen HERE. There is about a month left, so hopefully this happens!

REVIEW: Icelandic Magic: Aims, tools and techniques of the Icelandic sorcerers (2016)

A Book by Christopher Alan Smith

Reading this book was the result of another dive into my Kindle Unlimited library looking for books on heathenry. I initially wasn’t sure about this book due to past experiences with similar titles. When looking for books on Galdrastafir (Icelandic rune magic), usually one comes into contact with hordes and heaps of information on homemade, modern sigils that folks have created that, and I’m making an assumption here, have been created with little to no knowledge on how and why these exist and as to what the actual purpose for many were. There’s also a tendency to try to tie them into the Viking age, when these are more-or-less tied directly to 17th century Christianity in Iceland.

There’s largely nothing wrong with this, as modern heathenry is a re-constructionist religion for the most part, and we’re not sure exactly what was going on with these sigils, but I try to avoid heathen books with a lot of historical mis-information and new-age sensibilities in them if I can.

Image result for Galdrastafir
An example of a number of known Galdrastafir

What I enjoyed the most about Icelandic Magic: Aims, tools and techniques of the Icelandic sorcerers is that Mr. Smith has treated this book as a companion of sorts that one would use in conjunction with or as a forward to a reading of one of the various Icelandic Grimoires one can find a translation of. Chapters are split up in groups that explain and give examples of common motifs, such as sigils to cause harm, or sigils to cause wealth etc. with annotations on where these numerous spells can be found and what they entail.

This is interesting because we have some books that are wildly different than others on some of the most common spells. An example being that there is no monolithic consensus on what the popular Ægishjálmr (The helm of awe) is, what it does, or what it even looks like. Some books have duplicate entries, and others have ridiculous spells that very few would even be able to afford, much less attempt (For example). This shows that many sorcerers likely traded spells with others.

One thing I think many newbie heathens can take away from this book is answering what Galdrastafir actually are, and setting straight the notion that vikings used these and that they are part of a historical pagan religion in any way. Yes, some of them do invoke the Norse pantheon, but these a few and far between, and they are usually sprinkled in with mentions of Jesus and various saints of Christendom. I will admit, I have a bunch of everyday merch emblazoned with runes mixed with vegvísirs and such, but I wear it knowing perfectly well that it’s a historical anachronism is just about every way.

Vegvisir Viking symbol permanent vinyl decal/ Available in various colors and sizes

Perhaps on downside to the structure of the book is that in being a “companion book” there isn’t a lot of information on the various grimoires themselves, granted we largely don’t who anything about who wrote them and why due to witch hunts, but perhaps a bit more on the big ones would have been cool. I do plan to read the Galdrabók pretty soon, so this did it’s job about making me interested in reading more.

All-in all VERY solid book that I will highly recommend. While not the most fully-fleshed out book on Galdrastafir, its a great companion and list of other books to possibly look into for further research.

If you would like a copy of this book for yourself, click the following LINK

REVIEW: Fate and the Twilight of the Gods: The Norns and an Exegesis of Voluspa (2018)

A book by Gwendolyn Taunton

Fate and the Twilight of the Gods: The Norns and an Exegesis of Voluspa (2018) is an interesting little book that is comprised of two scholarly essays by the author Gwendolyn Taunton. I used this as a quick refresher between two much larger books I was reading; a palate cleanser of sorts. The book is comprised of two Essays that are about 50 pages each – one concerning the Nornir of North European mythology, where they came from and what they symbolize; the other was a look at the Ragnarok material found in The Volupsa. Both halves are very well researched, and the book is heavily footnoted and referenced. I’ve read other essays by the author in a Journal that I purchased a while back, so seeing more by her was a nice treat.

Fate and the Twilight of the Gods: The Norns and an Exegesis of Voluspa contains two sections, the first of which elaborates on the Norns (Nornir) and the concept of fate. […] The second half of the book examines Ragnarok, and provides an exegesis of Voluspa – the prophecy which outlines the inevitable destruction of the world, and the ‘Twilight of the Gods’.

– Amazon Sales Page for the book

The first half of the book is very interesting considering the author’s attempts to fill the gaps in from the void of historical references to the Norns left after the ancient Christians attempted to erase their existence (as well as everything else not Christian). For example, The three principle Norns of Urd, Verdandi and Skuld are referenced quite a lot in various scriptures, sagas, and poems. There are, however, other norns that are mentioned in texts that seem to be more general that not much information is known about specifically.

To hopefully flesh them out, the author does this extrapolation by referencing similar ideas found in Hindu scriptures and relating them to the Teutonic pantheon as well as talking briefly about the Fates of Greek and Roman mythology. This makes sense as Germanic religions likely came from the same proto-religion as Hinduism.

There were, however, times I felt there was too many references to Indian Gods and religion. A counter to this would be a previous book I read called The Hanged God Óðinn Grímnir in which a similar task was done trying to piece together traditions of ritual hanging, but the author used items such as Arabic accounts of such rituals in Uppsala as well as Slavic traditions that were similar. I understand, this was likely impossible on something as specific as Nornir for this essay, but concentrating on India made this feel more like a comparison of Indian and Northern fate deities.

The second half of the book is a broad overview of the story of Ragnarok and how it relates to other apocalyptic fiction, as well as the causes and aftermath of such an event. This section is less exploratory than the one on the Nornir, but is a solid base for those that may have never read the Voluspa, and would like to know what the true story of Ragnarok entails.

The book itself is very small, just over 100 pages and can be easily read in an hour or two depending on your reading speed. For this, I quite enjoyed it, but I would actually have enjoyed a bit more substance for the price I paid – I see the book is currently starting to become rare with scalpers jumping onto the scene gouging the prices even further – be careful!

All-in-all, this was a solid read despite my quibbles, and even with the issues I will say it was VERY informative. For those looking on information on both Ragnarok and the Nornir, you really can’t get a better “starter resource” than a book like this – its full of footnotes and has a detailed bibliography for further reading. I will definitely have to check out more from this author in the future.

If you would like a copy of this for yourself, I have provided a purchase link HERE.

REVIEW: Iron Alchemy of the Gods: Feed Your Body With the Strength and Wisdom of Valhalla (2015)

A book by RC Fordham

BY FORGING A WILL AND BODY OF IRON WE MOLD OURSELVES
LIKE THE GODS WHO REIGN UP HIGH. THERE ODIN WILL GREET US AT THE GATES AS WORTHY OF HIS HALLS.

– RC Fordham yelling for some reason on the Amazon page

I mentioned in my last article, that I had purchased Kindle Unlimited and started using my Kindle as my primary reading set-up before I go to bed every night. Generally, this has been a good thing with some nice, quick, yet informative reads, however not all books can be winners! I have recently started a bit of light weight training for physical fitness and due to health reasons – I saw RC Fordham (who has a series of books in Kindle Unlimited’s Library) had a book on physical fitness with a pagan tinge to it, and figured – “why not?”

Somewhere in the world there are men training. They are training to kill you. They are training to be better than you. To over take you when the get they chance. They have not fallen for the lie that weakness is some kind of virtue to be admired.

Now the question stands… Are you prepared?

Preparation begins by becoming strong. The stronger you are the harder you are to kill. As we train to become the elite warriors of our gods, we are transforming ourselves into a living and breathing rune of strength. Our rune is Uruz. Our mission is to become it with no apologies or excuses.

– excerpt from Amazon sales page

Sadly, Iron Alchemy of the Gods: Feed Your Body With the Strength and Wisdom of Valhalla (2015) is not something I can recommend to pagans or even weightlifters for that matter. As you cans see above, the entire philosophical side of the book is presented in this weird alarmist manner that seems to be wanting you to be on edge and start furiously exercising as to not displease Odin by being too weak for Ragnarok. The majority of this section is basically trying to make the reader hate weakness, weak people, and left-leaning politics whilst striving to become a killing machine devoting the whole process to the Aesir. It’s honestly a bit much, and is not supported in any lore that I’ve read. I honestly don’t know what I was expecting, since we don’t really see anything like a Nordic weightlifting manual from 1000 AD anywhere, but it wasn’t this for sure.

This book, confusingly, also veers pretty heavily into this unnecessary anti-modern society viewpoint that I don’t wholly disagree with, but the way it’s presented is very much stilted in what I presume to be Mr. Fordham’s one-sided political beliefs, something I do not care about whatsoever.

I will not say that there was nothing in this book of worth, as I found the section on meditation very interesting and actually plan to use something from this book in my daily workout routine. Fordham basically outlines the importance of being strong in both mind and body and suggests meditation to help hone one’s skills. I won’t give away the entire thing on here, but he suggests envisioning the Rune Uruz, widely attributed to be the rune symbolizing “strength” before your workout to try to embody every virtue of the rune. This of course, has no basis in any historical practice in any way, but for most people that use rune magic, this is an interesting idea.

The rest of the book is basically a list of recommended exercises one can do at the gym with pictures to ensure proper form – I would say this amounts to about 60% of the content.

All-in-all reading this book was an interesting experience – Like stated before I was not a fan of the contents, but it is not all bad. The meditation ideas are very good, and something that I plan to try for myself. I have read a few more of Mr. Fordham’s books since starting this read-a-thon and most of them are better than this one.

If you would like a copy of this book for yourself, follow this LINK

Review: Pagan Portals – Odin: Meeting the Norse Allfather (2018)

I have recently starting using a Kindle quite a bit for my daily reading, mostly because I tend to read before I go to bed, and wrangling a book light in such a way as to not wake my girlfriend up is pretty annoying. In my quest to read up on practical applications for Norse Paganism, I stumbled on a series of books called Pagan Portals by the publisher Moon Books. They are quite good for this light nighttime reading. They are quick 100+ page reads that most readers would be able to finish in 1-2 sittings, and aren’t very technical, so you don’t have to stress about details. The first book I checked out, Odin: Meeting the Norse Allfather by Morgan Daimler, is one of the better ones so far mostly because I’m more into Norse Paganism, and the publisher’s usual output is largely Celtic thematically.

“Known by many names and with a wide array of characteristics Odin is a God who many people believe is just as active in the world today as he was a thousand years ago and more. A god of poetry he inspires us to create. A god of magic he teaches us to find our own power. A god of wisdom he challenges us to learn all we can. In this book you will find some of Odin’s stories and history as well as anecdotes of what it can be like to honor him in the modern world. “

Amazon sales page for the book

Daimler goes into this book with two purposes, to give everyone an introduction to the Norse god Odin, and to share her autobiographical information on how she was drawn to him, and how you to could meet him for yourself. This is by no means a structured guide on how devoted Norse pagans, Asatru or Vanatru practitioners would worship Odin – this is more suited for those that dabble in eclectic paganism, or perhaps Witches or Wiccans that borrow from many pantheons. Daimler comes from a background of Celtic Reconstructionist Paganism, so her insights on Odin are that of someone who had no idea tat they were being drawn to a god from an unfamiliar pantheon, and how she dealt with it.

The Author, Morgan Daimler

The information on Odin here is nothing too detailed, and is similar in many ways to other books on the Norse pantheon I’ve read, but since this book is an introductory piece that is not perhaps aimed at those that may be advanced on their understanding of Norse lore, it serves it purpose. There are some of the basic details, as well as chapters about some of Odin’s misadventures and philosophy as seen in the Eddas of Hávamál.

Perhaps the best parts of the book involve Daimler’s personal work on Odin, as she imparts her path to contacting and forging a relationship with the Allfather, as well as examples of ways to go through a guided meditation to do so. There are passages on the sort of offerings one should make to Odin, and Poetry she has written to / about him. She does touch on some of the downfalls of pledging one’s self to Odin, such as the idea that one that does so could be perhaps on the path to living a shortened life. She gives examples of how her friends tried to talk her out of a Valknut tattoo she got placed over her heart as it can be seen as a “target for a spear”.

All-in-all, this book definitely serves it’s purpose as an introduction to Odin, and how one could bring his wisdom into your own life. If you are looking for a more detailed book on him, such as historical details and his appearance in many, if not all of the Teutonic religions, this is not really the right book. I’m not going to pretend this is some sort of literary classic, by any means, nor am I pretending that this book was not largely information I already knew, but if you are new to Norse Paganism, and need a general overview of everyone’s favorite wanderer god – check this out!

To get your own copy of this book, please follow this LINK, it is available in print form and Kindle for under 10 dollars.

The company behind the book, Moon Books can also be visited HERE.

REVIEW – The Hanged God: Óðinn Grímnir by Shani Oates

Cover

Who would have thought that a small Canadian occult book publisher would publish perhaps one of the most interesting books on Ancient Scandinavian religion and customs this year? This is exactly what has happened with Anathema Publishing’s newest book – The Hanged God: Óðinn Grímnir by Shani Oates. Oates is perhaps best known for her work promoting a strand of Witchcraft dubbed Cochrane’s Craft, which is also known as Cochranianism. This is a strand of traditional witchcraft founded in 1951 by the English witch Robert Cochrane, to which Oates is one of the leading members of at this moment. Anathema has previously published a few of her books on various subjects including The Devil’s Supper and Crafting the Arte of Tradition, both of which were solid reads. Oates does well to write her books in a solid scholarly way, staying clear of overt editorialization in favor of looking into topics such as anthropology and history of a given subject.

The theme of the book is an exploration of one particular passage of a large poetic codex called the Hávamál (sayings of the high one) particularly stanzas 138-141. This series of interconnected poems are set up in such a way as to be the spoken word of Óðinn himself, with this one particular section being one of the more puzzling parts to come to terms with for many scholars.

138 I know I hung on that windy tree Nine whole days and nights, Stabbed with a spear, offered to Óðinn, Myself to mine own self given, High on that tree which none hath heard From what roots it rises to heaven.   140 Nine mighty songs I learned from the great son of Bale-Thorn, Bestla’s sire; I drank a measure of the wondrous mead, With the soul stirrers drops I was showered
139 None refreshed me ever with food or drink, I peered right down in the deep, Crying aloud [screaming] I lifted the runes, Then back I fell from thence.   141 Ere long I bare fruit, and throve full well, I grew and waxed in wisdom; Word following word, I found me words, Dead following Dead, I wrought deeds.  

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For a long time, many people have looked at the self-described self-immolation of Óðinn as a way for the writers of such literature to bring Óðinn into the same standing as the burgeoning Christianity by concocting a similar self-sacrifice as that of the Christian Messiah, Jesus Christ. The problem is, as Oates points out, there appears to be a complete missing meaning to these passages that is simply that first topic being – why did Óðinn hang himself? It’s not a sacrifice for his people like Jesus, so why waste the energy? If one looks at things such as similar traditions to reconstruct what ancient Scandinavian rituals might have been like before many traditions were wiped away by missionaries, an entirely different view of this passage comes to light.

Oates discusses multiple ancient cultures near and within Scandinavia showing that many, if not all of them had a similar idea – sacrificial hanging was VERY important. She talks a lot about the Ancient rituals at a site called Gamla Uppasala in Sweden, and how the tradition of the hanging tree was supposedly laid out. I say “supposedly”, because the only surviving descriptions of this are from Christian chroniclers, which are no doubt over-exaggerating this to show “how cruel these barbaric heathens are”.

“A general festival for all the provinces of Sweden is customarily held at Uppsala every nine years. Participation in this festival is required of everyone. Kings and their subjects, collectively and individually, send their gifts to Uppsala; – and – a thing more cruel than any punishment – those who have already adopted Christianity buy themselves off from these ceremonies. The sacrifice is as follows; of every kind of male creature, nine victims are offered. By the blood of these creatures it is the custom to appease the gods. Their bodies, moreover, are hanged in a grove which is adjacent to the temple. This grove is so sacred to the people that the separate trees in it are believed to be holy because of the death or putrefaction of the sacrificial victims. There even dogs and horses hang beside human beings. (A certain Christian told me that he had seen seventy-two of their bodies hanging up together.) The incantations, however, which are usually sung in the performance of a libation of this kind are numerous and disgraceful, and it is better not to speak of them. “

An example of interior art

She comes to a conclusion that Óðinn’s ritual suicide was that – a ritual – a way for him to have visions as many ancient shamans would do, or at the very least these were instructions for others to have similar experiences to gain true wisdom. Perhaps, this was in some way something akin to a Native American vision quest that Óðinn had performed – hanging in a tree for nine days without food and water, hallucinating towards the end. And when done, he found one of the most important things – the runes themselves!

 The Hanged God: Óðinn Grímnir is a very interesting book and solid read if you don’t mind something a bit scholarly (full of footnotes and the like). I’m VERY glad tis book did not follow a similar path to similar books I’ve read that seek to overturn long-held beliefs of various religions. For instance, I once read a book called The Sacred Mushroom and The Cross: A study of the nature and origins of Christianity within the fertility cults of the ancient Near East by John M. Allegro, where he postulated that the entirety of Christianity was once based on the cultivation and worship of red and white mushrooms for psychotropic reasons. While this book was interesting “food for thought” of the sort you hear on something like the Joe Rogan Experience Podcast, it was not scholarly, and suffered by being a huge list of various instances of confirmation bias.

Thankfully, Oates avoids this by giving tons of evidence with citations for her assertations, and yes some of it is speculation, but it never veers past something that you could see making sense. I’m sure some hardened historians would balk at many of the ideas presented in the book, but that’s the entire point honestly. The book sets out to overturn what they’ve been sitting on for decades.

Anathema is usually a company that releases small print run hardback editions on various esoteric topics, here they are dipping their toe into a paperback line dubbed the Octavo series. While having a paperback has pros and cons of course. I like collecting hardcover books, so I sort of wish this book was available in both formats as I would have likely spent a bit more to get a hardcover. One of the pros here is obviously the cost – this book is CONSIDERABLY cheaper than their other books, even with the insane shipping price it takes to get this over from the far reaches of Canada. The book itself is absolutely gorgeous, covered in luxurious golden foil embossing and striking art pieces on the interiors. Supposedly, Anathema is trying to establish overseas retailers such is an occult book store called Miskatonic books as an American seller, so my issue with the shipping prices might be neutralized soon.

All-in-all this is (so far) one of the better speculative books on this subject I’ve ever read and it is VERY thought provoking. Do I assume everything stated in the book is absolute truth? No. In fact, I thought the ultimate conclusion was sort of too vague too completely wrap everything up. But it’s just as plausible as the historical accounts seeped in Christian afterthought and the need to everything to fit into a modern worldview. Since I now own three books by Oates from Anathema, I honestly should try to check some of her self-published stuff out. While I do not practice witchcraft, the books should be, at least, an interesting read. 

Shani Oates

For more information, go to:

Anathema Publishing

or

Miskaatonic Books

MSRP: $33.00