Do you do any divination? Have you ever had any done for you? Do you have any interest in this realm? What is your relationship with the runes?
Not much unfortunately. I learned how to read tea leaves a couple of years ago – it was pretty cool, but I don’t have much experience with it, so I’d like to try it again. To get more specifically close to Heathenry, I have read a number of books on Runes, but have yet to be able to set aside time to learn rune meanings and the like. With me currently trying to learn Norwegian, I don’t have enough time to devote to it right now.
Last year, when I attended Pagan Pride Day in Kansas City, I did pick up a starter divination kit from a merchant that was basically small sticks that had been painted in different ways. The caster would throw these, and depending on how they fall, there was chart for the result corresponding to an answer to a question one might ask. Perhaps I will start with these and move forward.
My girlfriend is much better with this sort of stuff, as she has done Tarot cards for a number of years, its just not simply anything I’m too experienced in, but am willing to learn.
Reading this book was the result of another dive into my Kindle Unlimited library looking for books on heathenry. I initially wasn’t sure about this book due to past experiences with similar titles. When looking for books on Galdrastafir (Icelandic rune magic), usually one comes into contact with hordes and heaps of information on homemade, modern sigils that folks have created that, and I’m making an assumption here, have been created with little to no knowledge on how and why these exist and as to what the actual purpose for many were. There’s also a tendency to try to tie them into the Viking age, when these are more-or-less tied directly to 17th century Christianity in Iceland.
There’s largely nothing wrong with this, as modern heathenry is a re-constructionist religion for the most part, and we’re not sure exactly what was going on with these sigils, but I try to avoid heathen books with a lot of historical mis-information and new-age sensibilities in them if I can.
What I enjoyed the most about Icelandic Magic: Aims, tools and techniques of the Icelandic sorcerers is that Mr. Smith has treated this book as a companion of sorts that one would use in conjunction with or as a forward to a reading of one of the various Icelandic Grimoires one can find a translation of. Chapters are split up in groups that explain and give examples of common motifs, such as sigils to cause harm, or sigils to cause wealth etc. with annotations on where these numerous spells can be found and what they entail.
This is interesting because we have some books that are wildly different than others on some of the most common spells. An example being that there is no monolithic consensus on what the popular Ægishjálmr (The helm of awe) is, what it does, or what it even looks like. Some books have duplicate entries, and others have ridiculous spells that very few would even be able to afford, much less attempt (For example). This shows that many sorcerers likely traded spells with others.
One thing I think many newbie heathens can take away from this book is answering what Galdrastafir actually are, and setting straight the notion that vikings used these and that they are part of a historical pagan religion in any way. Yes, some of them do invoke the Norse pantheon, but these a few and far between, and they are usually sprinkled in with mentions of Jesus and various saints of Christendom. I will admit, I have a bunch of everyday merch emblazoned with runes mixed with vegvísirs and such, but I wear it knowing perfectly well that it’s a historical anachronism is just about every way.
Perhaps on downside to the structure of the book is that in being a “companion book” there isn’t a lot of information on the various grimoires themselves, granted we largely don’t who anything about who wrote them and why due to witch hunts, but perhaps a bit more on the big ones would have been cool. I do plan to read the Galdrabók pretty soon, so this did it’s job about making me interested in reading more.
All-in all VERY solid book that I will highly recommend. While not the most fully-fleshed out book on Galdrastafir, its a great companion and list of other books to possibly look into for further research.
If you would like a copy of this book for yourself, click the following LINK
BY FORGING A WILL AND BODY OF IRON WE MOLD OURSELVES LIKE THE GODS WHO REIGN UP HIGH. THERE ODIN WILL GREET US AT THE GATES AS WORTHY OF HIS HALLS.
– RC Fordham yelling for some reason on the Amazon page
I mentioned in my last article, that I had purchased Kindle Unlimited and started using my Kindle as my primary reading set-up before I go to bed every night. Generally, this has been a good thing with some nice, quick, yet informative reads, however not all books can be winners! I have recently started a bit of light weight training for physical fitness and due to health reasons – I saw RC Fordham (who has a series of books in Kindle Unlimited’s Library) had a book on physical fitness with a pagan tinge to it, and figured – “why not?”
Somewhere in the world there are men training. They are training to kill you. They are training to be better than you. To over take you when the get they chance. They have not fallen for the lie that weakness is some kind of virtue to be admired.
Now the question stands… Are you prepared?
Preparation begins by becoming strong. The stronger you are the harder you are to kill. As we train to become the elite warriors of our gods, we are transforming ourselves into a living and breathing rune of strength. Our rune is Uruz. Our mission is to become it with no apologies or excuses.
– excerpt from Amazon sales page
Sadly, Iron Alchemy of the Gods: Feed Your Body With the Strength and Wisdom of Valhalla (2015) is not something I can recommend to pagans or even weightlifters for that matter. As you cans see above, the entire philosophical side of the book is presented in this weird alarmist manner that seems to be wanting you to be on edge and start furiously exercising as to not displease Odin by being too weak for Ragnarok. The majority of this section is basically trying to make the reader hate weakness, weak people, and left-leaning politics whilst striving to become a killing machine devoting the whole process to the Aesir. It’s honestly a bit much, and is not supported in any lore that I’ve read. I honestly don’t know what I was expecting, since we don’t really see anything like a Nordic weightlifting manual from 1000 AD anywhere, but it wasn’t this for sure.
This book, confusingly, also veers pretty heavily into this unnecessary anti-modern society viewpoint that I don’t wholly disagree with, but the way it’s presented is very much stilted in what I presume to be Mr. Fordham’s one-sided political beliefs, something I do not care about whatsoever.
I will not say that there was nothing in this book of worth, as I found the section on meditation very interesting and actually plan to use something from this book in my daily workout routine. Fordham basically outlines the importance of being strong in both mind and body and suggests meditation to help hone one’s skills. I won’t give away the entire thing on here, but he suggests envisioning the Rune Uruz, widely attributed to be the rune symbolizing “strength” before your workout to try to embody every virtue of the rune. This of course, has no basis in any historical practice in any way, but for most people that use rune magic, this is an interesting idea.
The rest of the book is basically a list of recommended exercises one can do at the gym with pictures to ensure proper form – I would say this amounts to about 60% of the content.
All-in-all reading this book was an interesting experience – Like stated before I was not a fan of the contents, but it is not all bad. The meditation ideas are very good, and something that I plan to try for myself. I have read a few more of Mr. Fordham’s books since starting this read-a-thon and most of them are better than this one.
If you would like a copy of this book for yourself, follow this LINK
Usually, when people discuss ways that they were brought into paganism, one usually hears stories about being wronged by another group or an experience that brought them in line with the old ways – for me, the path was slightly different. Ever since high school, I have been obsessed with medieval style folk music and folk metal – to such a degree that I sometimes feel as if I’m having a church experience at concerts from time to time. You know, that blissful euphoric feeling that usually is seen as “being endowed with the Holy Spirit” when discussing Christianity? That’s me if I hear bagpipes and see some dudes wearing tunics on stage. For somebody raised Catholic, then being vaguely Gnostic for a number of years as a reaction to becoming anti-Catholic, I realized that my soul was being drawn to the ways of my ancestors through music – and thankfully, in 2019 I have never felt so full as this is a banner year for Pagan folk bands!
There is no other musician or groups of musicians in 2019 that have imparted this feeling on me more than an experimental folk project called Heilung or “healing” in German. I once stumbled on a live performance of theirs that took place at a festival called Castlefest in 2017, the concert itself is both a work of art, and a classic performance that ranks, with me personally, as something as profound as Queen at Live Aid. The Live album itself is also very impressive as a result.
It would seem that others agree, as many of their Youtube videos have garnered millions of views, and they have been played on Sirius XM Liquid Metal, a channel that, as the name would imply, plays metal music. While there is some overlap between the listeners, Heilung have absolutely ZERO metal to their sound (minus throat singing perhaps), so it’s a testament to their unique nature that they are jumping into territory most folk bands never tread.
If not familiar with these guys, Heilung is comprised of members from various countries like Denmark, Norway and Germany, and describe their music as “amplified history from early medieval northern Europe”. Their music is based on texts and artifacts of the Iron Age and the early Viking Age specifically. In the broadest sense, their general “gimmick” for lack of a better term, is that they are shamans using their music, and stage show as rituals to give zeal to warriors or channel spirits depending on the song. The band uses animal skin drums, osteomancy (human and animal bones) and various rattles, whistles, and other implements, some antiques themselves.
“With the epic new album Futha, the enigmatic HEILUNG return with their signature Amplified History. A counterbalance to their rugged debut Ofnir, Futha reveals a more melodic and beautiful side of the mysterious ensemble. Their primeval musique concrete blends ancient Germanic tongues, lush geophonic recordings (crackling fires, breaking ice), and the percussive thunder of archaic weaponry (swords, shields, arrows) into a reverential ceremonial experience. HEILUNG are in a class all their own, and Futha is an entrancing masterstroke of profound worldly music.”
In 2019, the band has released their second studio album, called Futha – These are follow-ups to Ofnir (2015) (self-released, reissued 2018 on Season of Mist) and Lifa (2017) (Season of Mist) the previously mentioned livee album. On the meaning of the album title, HEILUNG explains:
“The majority of full rune set inscriptions start with ‘Futha,’ and is known to us as the first four letters in all runic alphabets. It is considered that our forefathers saw magic potential in engraving the full rune line, but there is also great significance in the beginnings. Science has no key for the meaning of only engraving the first couple of letters yet, but there is, of course, a surplus of theories. One of the theories we found inspiration in, is that ‘Futha’ holds the meaning of fertility and female gender. As ‘Ofnir’ focused on war and masculine notions, the great healing power of female wild strength is evoked in Futha. Those who have been present at a birth or have seen lionesses hunting know the spirit, and we welcome and embrace it in the sounds that were born during the creation of ‘Futha.’”
Much like with Ofnir, the music from Futha is still folk music, but is almost in more of a post-industrial, neo-folk style – meaning that there is a lot of use of electronic instruments and synthesizers rather than the myriad of bones and other instruments a large touring band can provide as heard on Lifa. This might be a turn of for some, as I was made well aware that many in my friends circle thought that Lifa was, in fact, their first album and had no idea that the sound on it was slightly different than the studio album.
Stand-out tracks are Norupo and Traust which are coincidentally the two singles that have been released as of today. I also enjoyed some of the small interludes quite a bit that pepper the release, usually some type of chanting and and growling that could definitely be envisioned to be coming from a seers tent thousands of years ago. These choices are not to say that the rest of the album is bad, perhaps its 100% the opposite. It’s just that this is more of an “album album” better experienced as a whole rather than in chunks. Those two tracks are just the two that can more easily be tossed onto an iPod and called up at will.
I would say that I like Futha Better than Ofnir as a whole, but absolutely cannot wait for a presumptive live album to come from these tracks. They haven’t announced anything, but I hope they repeat the trend from the last cycle. I also hope that their announced US tour comes somewhere near me, as I would absolutely go insane given the chance to see them in person.
In closing, definitely check this album out if you like Heilung, and do yourself a favor and look at their YouTube page for some live renditions of the songs, you will NOT be disappointed.